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Duke Ellington is considered to be one of the great genius' of jazz--its major composer and leader of probably the most significant of all jazz bands. Yet, other than his own not-very-revealing autobiography and a collection of reminiscences of his band members, there has never been an indepth biography of this preeminent figure in twentieth century music and entertainment. Here at last is the definitive critical biography of both the man and his music.
James Lincoln Collier, author of the highly acclaimed Louis Armstrong: An American Genius, has produced a fascinating work which tells the full story of Edward Kennedy Ellington, from his childhood as the pampered and adored only son of a middle-class Washington black family to his death in 1974, hailed as "America's greatest composer" (according to the New York Times obituary) and mourned at his funeral by more than 10,000 people. Collier describes Ellington's charisma--his sense of being special even from childhood, when he would announce to his cousins "I am the grand, noble, Duke; crowds will be running to me,"...the formation of his band, including some of the greatest names in jazz history, among them, Barney Bigard, Johnny Hodges, Cootie Williams, Lawrence Brown, and Paul Gonzavles...his arrival at the legendary Cotton Club in Harlem in the 1920s...his involvement with his manager Irving Mills, who manipulated and cheated him and even put his name on some of Ellington's songs, but who made him famous...his relationship with his family, including his troubled relationship with his son, his marriage and many affairs (including involvements with some of his own musician's women).
But most of all, the book is about the creation of the music, from classic songs like "Sophisticated Lady" to the "sacred concerts" of Ellington's last years. Collier maintains that it is not necessary to see Ellington as a "composer" in the narrow sense of the word but as something just as important: an improvising jazz musician. His instrument was a whole band.This is a controversial book--not all will agree with Collier's assessments--but it will enthrall jazz buffs as well as anyone interested in a fascinating life and times.
- Sales Rank: #2967706 in Books
- Published on: 1987-09-17
- Original language: English
- Number of items: 1
- Dimensions: 9.44" h x 1.14" w x 6.44" l, 1.52 pounds
- Binding: Hardcover
- 352 pages
From Publishers Weekly
The author of Louis Armstrong: An American Success Story tells another musical tale with a strong, clear sense of the field. Collier chronicles the early years of Edward Kennedy Ellington, who was pampered and made to feel elite--like his nickname. Although he came to music rather late, Ellington's dignity, willingness to take risks and sense for organization enabled him to assemble and keep together one of music's longest-lasting bands. In language rich with the textures of jazz itself, Collier explains how jazz functions (e.g., through layering), and uses Ellington's personality to demonstrate strengths and weaknesses in his music. Probably appealing most to jazz aficionados, this biography flavorfully examines the period, the possibilities and limitations for blacks, the ebb and flow of band members and Ellington's many contributions--including being partly responsible for ending Stepin Fetchit routines. Readers will easily understand how the youngster who kept "practicing at being famous" became so worthy of that adjective. Ages 10-14.
Copyright 1991 Reed Business Information, Inc.
From School Library Journal
Grade 7-12-- A well-researched, fact-filled biography, beginning with Ellington's early adolescence. Collier describes aspects of the social problems during his subject's younger years as he traces the musician's close relationship with his family, his training, his performances, and a number of the difficulties encountered during his career. Various musicians are alluded to throughout, and there are casual references to several musical terms, making this volume appeal more to those interested in jazz or with more than an elementary knowledge of the subject. Surely, this work will garner the same respect as Collier's Louis Armstrong (Macmillan, 1985) and his other books about jazz.
- Linda Zoppa, Pablo Casals Intermediate School
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
Characterizing Ellington as ``perhaps the most important figure in American music of the 20th century,'' the author looks at the composer's personality and career, focusing especially on his musical strengths and weaknesses. Collier, who has written several books on the history of jazzincluding a longer one on the Dukeclaims that Ellington didn't have the discipline to study either his instrument or music theory and that consequently he never became a brilliant pianist, while his longer compositions lacked cohesive structure. He did have a gifted ear, however, and, in working out musical ideas with his band (his preferred method of composition), he developed a fresh, unique, instantly recognizable sound that led to a long string of hits and standards. Collier succumbs occasionally to Jazz Historians' Diseasetedious recitation of names and personnel changesbut he makes clear what most of the musicians who played with Ellington contributed in the way of special techniques or abilities, while his musical analyses are easy to follow. Brief bibliography and discography. Index not seen. (Biography. 12-15) -- Copyright �1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
4 of 6 people found the following review helpful.
Impossible to review this book objectively
By jive rhapsodist
THis book is famously perverse. I finally bought it - I've read it libraries for years. But finally I said to myself "Practice what you preach,yo! If you say you're interested in different filters and the way different kinds of people can look at the same thing, how can you NOT own the book that denigrates Ellington as a composer and damns him with faint praise?".
Look, if we were just talking about my personal opinion of Collier's opinions, this book would get ONE star. But it is a relatively well - researched book, given its condescending, borderline racist (nothing overt - just its insufferable patronizing tone) agenda.
Caveat Emptor, Baby!
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